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The 7 Worst Collectibles for Investors

The 7 Worst Collectibles for Investors

While I advocate the careful accumulation of high quality antiques for investment purposes, it is important to choose the right antiques. Unfortunately, there are some collectibles that are now, and always have been, bad investments. Welcome to the Antique Sage’s list of the top 7 worst collectibles of all time for investors, presented in no particular order. Please note that I’ve intentionally left Beanie Babies off this list because they are so terrible I don’t even consider them to be collectibles!

 

1) Thomas Kinkade Paintings and Prints

Thomas Kinkade, the self-proclaimed “Painter of Light”, has been one of the most prolific and financially successful artists of the late 20th century. In fact, he was so successful that his company, Media Arts Group Inc., had franchised 350 Thomas Kinkade Signature Gallery stores across the U.S. at its peak. But in order to keep that many shops filled with merchandise, Kinkade had to break one of the ironclad rules of fine art: you can’t mass produce it.

As a result, Kinkade’s company estimated that his works hung in an astonishing 1 out of every 20 American homes. Of course, once online marketplaces took off on the internet in the late 1990s, everyone realized just how many of Kinkade’s works were floating around out there. Demand collapsed as everyone who could ever possibly want a Thomas Kinkade work already owned two!

It also didn’t help that Kinkade’s cloyingly saccharin, neo-Norman Rockwellesque style was completely out of step with the late 20th century’s cultural zeitgeist. This is a major demerit according to the Antique Sage’s 5 rules for investment grade art and antiques, and renders Thomas Kinkade’s art among the worst collectibles you can buy.

 

2) Hummel Figurines

These delightfully cute porcelain miniatures were inspired by the bucolic drawings of Sister Maria Innocentia Hummel – a German Catholic nun. Beginning in 1935, her sketches were reimagined as 3-dimensional porcelain figurines. Hummel figurines were very popular with U.S. military service members in Europe after World War II, who often purchased them for their loved ones back in the States.

Unfortunately, W. Goebel Porzellanfabrik, the corporate manufacturer of this pastoral kitsch, could not resist the urge to ramp up production to pad its profits. Over the course of several decades, Hummel figurines became ubiquitous, showing up for sale in places as varied as airport gift shops and Hallmark stores. Once their obsessive collector base began to age out, demand plummeted while supply remained abundant.

Today, over 90% of Hummel figurines on eBay sell for less than $100. And in all probability, they are still wildly overvalued. Avoid Hummel figurines like the plague if return on your money is important to you. They are one of the worst collectibles out there.

 

3) Anything from the Franklin Mint

When I say anything from the Franklin mint is a bad collectible, I mean anything! The Franklin Mint has been scamming collectors out of their hard earned money for over 50 years. Since it was first established in the mid 1960s, this fraud factory has cynically and opportunistically striven to create the most banal collectibles known to man. These have ranged from medals and coins to jewelry, dolls and die cast toys.

The Franklin Mint’s only goal is to make money. To this end, it uses its considerable marketing muscle to artificially create demand or interest in a series. It then churns these woefully subpar collectibles out until the market is saturated. Predictably, this is not a winning scenario for producing investment grade collectibles. But it does launch all Franklin Mint products onto my list of the worst collectibles ever.

 

4) Modern Baseball Cards

The baseball card market experienced a massive bubble from the late 1980s to the early 1990s. Sports fans, speculators and pre-pubescent boys across America suddenly became obsessed with the minutiae of price movements – which were usually up – as reported by the Beckett Baseball Card Price Guide. As you can probably guess, it all came crashing down a few short years later.

But the real problem during this period was that the big four baseball card manufacturers – Topps, Upper Deck, Fleer and Donruss – used the bubble as an opportunity to make gargantuan profits. They released an ever increasing number and variety of baseball cards, some of which had special gimmicks like holograms or foil accents.

In conjunction with this huge increase in production, baseball card collectors hoarded the glut of new cards in the (false) hope that they would one day pay for college or a new car. In reality, all they ended up being was one of the worst collectibles of the modern era. Even today, the world is overrun with baseball card sets from the 1980s and later, all in near perfect condition.

Although I don’t generally advocate buying baseball cards for investment purposes, if you must collect them, at least stick to older, pre-1980s cards.

 

5) Modern Commemorative Stamps

Stamp collecting is a dying hobby. Unfortunately, the U.S. Postal Service, along with many other national post offices, didn’t get the memo, because they just keep churning them out. The USPS prints dozens of different types of stamps in any given year, with a large number of these being “commemorative” issues.

However, they largely commemorate contrived events and irrelevant people. For example, right now you can buy U.S. stamps commemorating the Dominican fashion designer Oscar de la Renta or the Catholic priest/president of Notre Dame University Father Theodore Hesburgh. If that doesn’t appeal to you, there is always the thoroughly corny “Have a Ball!” round baseball stamp.

Good grief! No wonder stamp collecting is dying. The issuing authorities are treating it like a profit center, which it is, at least until the last stamp collector gets snowed under by a pile of meaningless commemorative stamps and finally gives up. If rare vintage stamps are a hard sell in today’s world (and they are), then modern commemorative stamps are simply one of the worst collectibles out there.

 

6) Modern Commemorative Coins

The U.S. Mint took a page from the U.S. Postal Service and decided that striking millions of poorly designed, uninspiring commemorative coins was the ticket to both quick profits and a disgruntled collector base. Right now you can buy yourself a Lions Club International Centennial silver dollar or a Boys Town Centennial half-dollar for far, far more money than they will ever be worth.

If this does not appeal to you, then there is a high likelihood that you will view most of the U.S. Mint’s current product portfolio as a blatant money grab. Of course, other national mints, like the British Royal Mint or the French Monnaie de Paris, have exactly the same problem. They mint dozens of different coin issues in staggeringly large quantities (for non-circulating coins) and then somehow expect the secondary market price not to collapse. It rarely obliges them, however, making modern commemorative coins pretty terrible investments, with few exceptions.

 

7) Modern Comic Books

Some old comic books can be profoundly rare and incredibly valuable, like Action Comics #1 from 1938, which features the very first appearance of Superman. And then there are comic books from the modern age, with their massive print runs and tired gimmicks. These modern comics invariably have little monetary value.

For example, in 1992 DC Comics released its much heralded “Death of Superman” story arc. This evocative title was a naked ploy to tug at people emotionally, as well as get them to open up their wallets for what was sure to be a highly desirable collectible.

But DC Comics was busy churning and burning its fan base. They printed dozens of variations of this epic theme, each one intended to boost sales by appealing to legions of comic book collectors and investors. However, in the process, their cynical and aggressive sales methods more or less eviscerated the modern comic collectible scene. Even today it is easy to buy pristine examples of the overhyped “Death of Superman” comic books for just a few dollars or less.

Congratulations DC Comics. You’ve almost single-handedly placed your industry onto the Antique Sage’s top 7 worst collectibles list!

 

If you detect a trend in my list of the worst collectibles of all time, you are right. Modern collectibles that have been mass-produced by profit driven enterprises are almost always terrible investments. And where the term “mass-produced” used to mean tens or hundreds of thousands of copies 50 years ago, it can easily mean millions or even tens of millions today. With numbers like that, these terrible collectibles will never be worth much.

 

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Anatomy of an Antique Mall Expedition

Anatomy of an Antique Mall Expedition

It has long been my contention that investment grade antiques are extremely rare – much rarer than their current price tags would indicate anyway. My rule of thumb is that, in the average antique store, perhaps 1 in 1000 pieces (or fewer) qualifies as investment worthy. So I decided to put my theory to the test. I made an expedition to an antique mall that I had never visited before in order to see how many items would make the cut.

But first a caveat is in order. Every antique mall has a different character that will substantially impact your chances of finding valuable pieces. For example, those that carry more jewelry, sterling silver and art will generally have higher hit rates than those that specialize in crafts, glassware and other collectibles.

Location is another important factor. An antique mall located in a wealthy neighborhood or a neighborhood that had money in the past will often carry higher quality antiques that more easily qualify for investment status. Conversely, an antique mall located in a rural or middle class area will generally carry fewer high end items.

The antique mall I visited was in a very rural area, so I had fairly low expectations going into the expedition. But, on the other hand, you never know exactly what you’re going to find or where you’re going to find it. That is part of what makes antiquing so much fun.

The antique mall I visited had three floors chocked full of almost every kind of vintage, collectible and old item you could imagine. I always enjoy scouting for antiques in person because it is a very different experience from searching for antiques online. An in-person antiquing expedition gives you the chance to physically handle pieces, which is critical for developing your eye or keeping your skills sharp.

In any case, out of this massive antique mall containing thousands and thousands of items I only found a handful that interested me from an investment perspective. About one-third of the items in the shop should have simply been thrown into the nearest dumpster. Humanity certainly wouldn’t have lost anything worth mentioning.

But let’s talk about the antiques I discovered that I found intriguing. Now, keep in mind that when I talk about these items I am not wholesale endorsing them as investments. There are a lot of vintage and antique items out there that fall into a gray area. They have some investable attributes, but fall short in other critical areas. Anyway, I just want to make it clear that the items I’m listing are not generally on par with the superlative investment grade antiques that I regularly feature in the Antique Sage Spotlight section of my website.

The first item I found was a carved ebony or blackwood tobacco jar. I am not certain of the exact tropical hardwood used for this piece, but it was a very dense and naturally dark colored. I am fairly certain that it was a native African species.

The carved jar features scenes of native Africans harvesting grain, similar to this example from Pinterest. The piece was obviously hand-carved in a rather naïve or “native” style. In spite of this, the jar still retains an attractive look and is a fair example of ethnographic art.

The jar was almost certainly sub-Saraha African in origin, probably from sometimes during the 20th century. It is possible that it was carved as a tourist souvenir. With a price of $60, I found this hand-carved ebony tobacco jar to be interesting, but probably not investment grade due to the crudeness of the carving. Personally, I would pass on this item.

Moving on, the next unusual piece I found was a rustic oil painting of a quaint Mexican town. The painting was small, measuring around 8 inches (20 cm) wide by 10 inches (25 cm) tall. In spite of its diminutive size, the artist successfully combined heavily textured brushwork and good composition with a deft treatment of light and shadow to create a compelling work of art.

The work is not superlative. The perspective is just a bit off and the painting is slightly worn on the upper left hand side. But as a signed work (the artist was Alicia de Salas) with a price of only $20, I think this Mexican painting was the sleeper hit of the expedition. Even though paintings aren’t my main area of focus, I might very well buy it next time I visit that antique mall.

The next item was a piece of Bruce Fox wall art. This Mid Century embossed bronze sheet depicts a gazelle among tropical plants, and the entire work surrounded by a rich walnut frame. The work is well executed and quite good looking. It would really make a stellar wall hanging, especially for anyone who wants that Mad Men look for not a lot of money.

Bruce Fox was an artist and metalworker who founded his eponymously named company in 1938. Bruce Fox, Inc. specialized in aluminum, copper and bronze art and decorative items. The company gradually moved away from consumer decor into industrial segments in the late 1960s.

This Bruce fox bronze wall art is labeled “Bruce Fox Hand Worked” on the back along with a handwritten “2150”, probably denoting the serial number of this work. I’m guessing several thousand were originally produced. The price was only $35; unfortunately, the walnut frame was not in great condition, reducing the desirability of the work.

The final good item I found on my antique mall expedition was a hand-hammered Arts & Crafts sterling silver bowl by the firm of Lebolt & Co. Lebolt & Co. was a Chicago-based jeweler and silversmith that operated from 1908.

This fairly heavy, good quality sterling silver bowl was very simple except for the hand-hammered decoration and some subtle fluting around the bowl edge. This is absolutely typical of Arts and Crafts silver, which eschewed gaudy design.

The price was $320, which is more or less in line with current market value. If I had been looking for early 20th century American silver or Arts & Crafts movement pieces, I would have not hesitated to buy this sterling silver bowl.

So there it is. A large antique mall with thousands and thousands of items in it and I found four that could potentially have been considered investment grade. And, quite honestly, I’m guessing that only the silver bowl and the Mexican oil painting really make the grade (although the other two items would be wonderful decorative pieces).

There is a lesson to be learned here. High quality, investment grade antiques are really, really rare. There are far fewer of them out there than people realize, but their rarity is currently obfuscated by their low prices. I don’t expect this situation to last forever, though. Invest accordingly.

 

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Vintage Fountain Pen Sets – A Stealth Investment

Vintage Fountain Pen Sets - A Stealth Investment

I find vintage fountain pens to be one of the most fascinating areas of the antique market. Much like vintage mechanical wristwatches, vintage fountain pens were a relatively obscure collectible niche 25 years ago. There were a few hard-core collectors, but not a whole lot of public interest otherwise.

However, vintage fountain pens have exploded into a very hot market segment today. This shouldn’t be surprising considering the unparalleled beauty and utility of these retro writing instruments. Demand, along with prices, has inevitably skyrocketed.

While it used to be possible to cherry pick marvelous vintage pen specimens for $5, $10, or $15 at garage sales, flea markets and rummage sales, now these venues are largely picked clean of desirable examples. Today, a variety of investment quality, antique fountain pens can be found in good condition for prices ranging from $50 to $500.

However, as desirable as older fountain pens are, there is an often overlooked off-shoot of this venerable collecting category that offers even better value for your money. I’m speaking about vintage fountain pen sets. It was fairly common in the mid to late 20th century for pen manufacturers to package a fountain pen together with another, different type of writing instrument, usually a ballpoint pen or mechanical pencil.

Vintage fountain pen sets were often marketed as upscale gifts. They were promoted as the perfect luxury present for holidays, graduations, birthdays, etc. As a result, these sets were usually populated by more desirable, higher end models – with price tags to match!

Vintage fountain pen sets were also intended to appeal to people who wanted variety in their writing implements. Some customers might prefer the convenience of a ballpoint pen for travel and on-the-go usage, while a fountain pen might make sense for writing longer personal letters or business correspondence. A mechanical pencil might be favored by certain professionals who produced a lot of calculations and scratch work, like engineers, architects, and scientists.

In any case, vintage fountain pen sets are largely neglected in today’s marketplace. Few antique fountain pen collectors understand the charms of old mechanical pencils. And even fewer pen collectors are interested in vintage ballpoint pens. As a result, high quality vintage fountain pen sets can still be purchased for shockingly low prices.

There are a lot of reasons to consider investing in a vintage fountain pen set. But one of the most compelling is that they perfectly capture the zeitgeist of the mid to late 20th century. Stately fountain and ballpoint pens were omnipresent in the most pivotal events of the age, from the signing of the momentous treaty that ended World War II to the endorsement of groundbreaking legislation like the Civil Rights Act of 1964. And no successful businessman from the 1960s Mad Men era would have been caught dead without his prized pen at his side, always ready to sign a deal.

As mentioned above, vintage fountain pen sets were generally mid-range or high-end offerings. As a result, they were often constructed using the very finest materials available to manufacturers at the time. This included corrosion-resistant metals, such as stainless steel, gold-filled, sterling silver or even solid karat gold. Hard rubber, resin or dense, high quality plastic were also sometimes employed in pen sets, either in conjunction with metals or by themselves.

A factor that goes hand in hand with high quality materials is high quality construction. And quality was universally high in the mid 20th century. Vintage fountain pen sets, particularly the higher priced models, were produced to very exacting standards in the most technologically-advanced nations on earth at the time – the U.S., U.K., Germany, France and Japan. This is a far cry from the made in China syndrome that we wrestle with today in consumer products.

It is also common to find sets that are for sale with their original cases. An original case is not only a convenient storage container for a vintage pen set, but also adds to the period styling of the set. As a result, an original case significantly boosts a set’s investment desirability.

Another advantage of vintage fountain pen sets is the number of pristine, never-inked or new-old-stock examples available. These are eminently collectible pieces that are often 40, 50 or even 60 years old, and yet can sometimes still be found encased in cellophane with their original price tags attached!

But I think that the ultimate reason to invest in vintage fountain pen sets is price; they are often barely more expensive than a single vintage fountain pen by itself. And there is simply no conventional asset where a couple hundred dollars will get you so much value for your money. I’ve showcased several different vintage fountain pen sets on the Antique Sage website, including a 1960s Parker 75 flat top set, a 1950s Sheaffer Snorkel Statesman set and a mid 1950s Eversharp Ventura set.

None of these vintage fountain pen sets was more than $300. One was less than $100. Where else can you hope to buy a complete set of vintage luxury goods in its original packaging for a couple hundred dollars? It is one of those situations that you simply know cannot persist for very long. And I suspect it will not.

One day soon the supply of Mid-Century, new-old-stock vintage fountain pen sets will run out and their prices will skyrocket. Those who already purchased theirs will be sitting pretty. Everyone else will curse their bad timing. Don’t say you were never warned.

 

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Better International Investing through Antiques

Better International Investing through Antiques

International investing is a theme that has been relentlessly pushed by financial professionals over the last 25 years. Many financial advisors have jumped on the bandwagon too, advising their clients to invest a portion of their investment portfolios overseas. And there are plenty of investments to choose from. Mutual fund giants, like Vanguard and Fidelity, have dozens of funds and ETFs dedicated to everything from emerging market small cap stocks to foreign sovereign bonds.

According to the experts, the main advantage of international investing is diversification. It gives you exposure to other countries that may be experiencing much faster economic growth than your home country. In addition to gaining outsized growth abroad, foreign investments may also be non-correlated to your domestic investments, thus reducing your portfolio’s overall volatility.

But there are substantial risks in international investing that most asset managers don’t like to talk about. Foremost among these is political risk. This is the possibility that a foreign government might change its laws in ways that disadvantage a business operating in that country. Revised laws can be relatively minor changes, like new certifications or filing requirements, or they may be major impairments, such as the imposition of heavy new taxes or strict environmental standards.

In its most extreme form, political risk manifests as nationalization or state-sponsored confiscation. This is actually a far more common occurrence in history than many people might first believe. Wikipedia lists literally dozens of major nationalizations that have occurred since the beginning of the 20th century, and this catalogue is by no means comprehensive. While some of these nationalizations only occurred after companies had already failed, many others were outright confiscations, with either no, or utterly inadequate, compensation paid to foreign shareholders.

For today’s international investors, uncompensated nationalization may seem like a distant and unrealistic threat. But it would not be wise to be too sanguine. Such sovereign confiscations were absolutely commonplace in the politically tumultuous 1930s and 1940s. However, after the end of World War II, a new global trade system was established with the United States at its core. This new system has become known as the Pax Americana and it has reduced the number and severity of international property disputes to negligible levels in the modern era.

Unfortunately for those wishing to diversify through international investing today, the Pax Americana is slowly dying. This means that the world will experience far more international turmoil, trade disputes and political maneuverings over the next few decades than most of us have experienced in our lives to date. In this sort of environment, the partial or complete confiscation of assets by foreign governments will undoubtedly become a fact of life.

The terminally optimistic may counter that investing in foreign debt does not carry the same risk of nationalization that foreign equities have. While this assertion is largely true, international investing via bonds has its own unique problem – currency exchange rate risk.

There are two different kinds of foreign bonds that an investor can buy. The first is local-currency denominated bonds. These are bonds issued in a country’s home currency. So, for example, the Indonesian government might issue bonds denominated in Indonesian rupiah, or Brazil might offer debt denominated in Brazilian real.

The second kind of foreign bond is called hard-currency debt. These are bonds issued by foreign governments or businesses in an internationally accepted currency, like the U.S. dollar, British pound or euro.

The value of local-currency denominated debt is highly dependent on the goodwill of the foreign government in question. A foreign central bank can, at its government’s direction, print large quantities of the local currency, thus radically reducing the foreign exchange value of your local-currency bond.

Hard-currency bonds aren’t perfect either. Foreign countries that run into financial problems can easily print their own currency, but can’t print hard currencies. Although this preserves the foreign exchange value of hard-currency debt, it doesn’t help the issuer get any more dollars, pounds or euros to pay its obligations. As a result, some foreign issuers of hard -currency debt, especially those from emerging market countries, have a tendency to default.

While traditional international investing may sound hopelessly risky, antiques are an often overlooked way to enjoy the benefits of foreign diversification without the twin political risks of nationalization and currency depreciation. If you purchase antiques from a foreign country, you will have physical possession of tangible assets that will fluctuate in value based, at least in part, on how well their country of origin performs economically.

The theory behind this unconventional approach to international investing is not idle speculation either. Anyone who purchased high quality Chinese antiques on the cheap in the 1980s and 1990s is now sitting on a veritable fortune. As China became progressively richer over the last couple of decades, newly wealthy Chinese entrepreneurs and businessmen have begun buying back fine Chinese antiques that were exported overseas a century or more ago.

Investor behavior in other foreign countries works much the same way. As a nation’s population becomes wealthier, they typically develop a keen interest in their own history and culture. Antiques from a country that is economically successful will naturally benefit from this trend. In fact, a very similar relationship between national GDP and collector’s coin prices has already been well established.

Antiques grant a tremendous amount of flexibility to the aspiring overseas investor. For instance, an international investor interested in diversifying into the dynamic Mexican economy could target Mexican sterling silverware. Silver has been mined commercially in Mexico for 500 years. As a result, Mexican silversmiths have had ample time to perfect their art. Ravishingly gorgeous Mexican sterling silver is both functional and beautiful simultaneously.

Those excited by the rising economic presence of the Indian subcontinent might be interested in antiques from the Mughal Empire. The Mughals ruled India for 200 years, from the mid 16th century until their kingdom disintegrated in the 18th century. I especially like silver Mughal rupee coins as Indian-oriented investments due to their rich history, elaborate calligraphy and reasonable prices.

Of course, more developed economies like Great Britain, Germany and France are also well represented in the field of overseas antiques. Vintage European items are a mainstay of the global antiques market because of their superlative quality and enduring beauty. Good quality European antique jewelry, silver, art medals and objets d’art are all highly desirable pieces that could add safe international diversification to a traditional asset portfolio.

I believe that international investing is a sound strategy. But I also think it is wise to mitigate investment risks whenever possible. Antiques allow the savvy investor to reap the substantial benefits of international asset exposure without the worry of foreign political risks like nationalization or rapid currency depreciation.

 

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