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Are Investment Grade Antiques the World’s Most Under-Owned Asset Class?

Are Investment Grade Antiques the World's Most Under-Owned Asset Class?

The smartest guys in the investment management business are often focused on some variation of a single theme.  They all want to discover the world’s most under-owned asset class.  And then they want to buy that magical asset – preferably a lot of it as cheaply as possible.

There is a simple reason for this unerring focus.  The widespread ownership of an asset class is usually inversely proportional to its future return potential.  Once a particular investment – regardless of whether it is a stock, bond or REIT – becomes well known, prices inexorably rise as the asset becomes more popular.  Everybody wants a piece of it, so to speak.  This phenomenon drives up prices as there is a frenzy to buy.

Once everyone does own their hundred shares though, it becomes less and less likely that the asset in question will continue to outperform other assets.  After all, there is a limit to how much Apple, Tesla or Bank of America stock investors are willing to stuff into their portfolios.  The resulting lesson is perfectly clear.  Relentlessly search out the most under-owned asset class and buy with both fists.  If you can patiently wait until it becomes popular, you will assuredly be rewarded with above average returns.

The only problem with this idea is that there is no good definition of “under-owned”.  After all, every asset must be owned by someone at all times.  They don’t simply disappear when no one is interested in them.  So when we discuss under-owned investments what we are really talking about is ownership distribution.  Under-owned assets have “lumpy” ownership distribution compared to popular assets, where almost everyone owns at least a little bit.

Now comes the big question.  What is the world’s most under-owned asset class today?  In other words, which asset class is not only unpopular but also has a lumpy ownership distribution, with most people having no significant investment position.  I think the answer to this question is obvious.  Investment quality art and antiques are the clear winner here.

First, investment grade art and antiques are not a well known or popular asset class.  Most people think you need to be a billionaire to build a meaningful art collection.  Or they think that fine antiques can only be acquired for a million dollars or more.  These myths are both false, but they have effectively prevented most people from fully exploring the investment benefits offered by this asset class.

Now I would like to conduct a thought experiment.  How many pieces of fine art and antiques are present in your household?  For most people the answer is zero; absolutely nothing they own could be mistaken for investment grade art and antiques.  For those people who do own some, it is typically not much.  In most cases it will be one or two separate, unrelated pieces.  And in most instances, these few investment quality specimens will have been inherited, not purchased.

Instead, high quality art and antiques are primarily owned by a select group of savvy connoisseurs and collectors.  These farsighted investors may only spend a few hundred dollars on a single item – and sometimes even less.  But they use their specialized knowledge of the field to pick out the very best antiques, leaving the dregs behind.

These discerning art and antique aficionados are building important collections bit by bit that, one day, will undoubtedly be worth large sums of money as the asset class becomes more popular.  Fine art and antiques are currently a grossly under-owned asset class destined for a high future rate of return.  And for those who are shrewd enough, it isn’t too late to get your share.

Creeping Inflation, Art and You

Creeping Inflation, Art and You

I had a somewhat jolting experience the other day.  I went to my local post office to mail a letter via Priority Mail.  Priority Mail was a perfect choice for this letter.  In addition to ensuring fast delivery, U.S. Postal Service Priority Mail also allows for tracking.  And although I hadn’t sent anything Priority Mail for quite a while, I expected the price to be reasonable – a few dollars perhaps.

My price expectations were not realistic.  When the clerk told me the total was $6.45, I had sticker shock.  It seemed to me as if Priority Mail was far more expensive than I had remembered it being in the past.  I was mailing a normal, standard-sized letter.  At the time, a first class stamp only cost $0.47.  Why the huge disparity in price?

So I did a little research.  I compared the change in Priority Mail rates between 2006 and 2016.  Over this ten year period, the base price of Priority Mail increased from $4.05 to $6.45.  This is an average rate increase of 4.76% per annum.  I then compared this to the U.S. CPI inflation index over the same period.  It had only increased by 1.82% annually.  So the price of the U.S. Postal Service’s Priority Mail had escalated at an almost 3% faster pace than inflation every year for the last decade.

Then it hit me.  This is a classic example of what is known in economics as “creeping inflation”.  Creeping inflation is defined as a situation where the price of a particular good or service gradually, but inevitably, ratchets upwards over time.  Although none of the price increases seem excessively large in isolation, after accumulating for long enough, they ultimately result in major inflation.

Unfortunately, there are several areas of the U.S. economy that have been experiencing the corrosive effects of creeping inflation.  Health care and education are two prime examples.  Prices in these sectors have reliably exceeded the general inflation rate for decades now.  As a result, they are becoming unaffordable for average people.

Perhaps surprisingly, the art and antiques market are another part of the economy that has experienced creeping inflation for the past 10 to 15 years.  A broad range of investment grade art and antiques have seen this phenomenon.  Ancient and medieval coins, vintage mechanical wristwatches, antique jade carvings, estate jewelry and vintage prints are just a few of the categories that have radically increased in price over the last decade.

In fact, most investment grade art and antique prices have generally risen by a factor of two to four over the last 10 to 15 years.  This equates to an annualized appreciation rate of anywhere from 4.73% to 14.87%.  This creeping – and occasionally galloping – inflation in the fine art world has important implications for both collectors and investors alike.

On the one hand, it means that art has proven to be a great investment for connoisseurs over the last several years.  The returns for investment grade art and antiques have equaled, and, in some instances, handily exceeded those from traditional financial assets.  And carefully chosen, high quality art will probably continue to be a very good investment for many more years to come.

However, one negative aspect of creeping inflation is that investment quality art and antiques are becoming ever less affordable to the average collector.  Now this isn’t an issue yet for lower priced antiques.  For example, an investment worthy piece that traded for $50 in the mid 2000s might cost $125 in 2016.  The current cost still won’t break the bank, but the happy days of picking up a couple nice pieces for a single hundred dollar bill are long past.  In addition, as prices continue to escalate due to creeping inflation, even today’s bargains will eventually pull out of reach.

If you are interesting in fine art or antiques as alternative assets, it is important to act now.  The prices of these overlooked investments have appreciated faster than the rate of inflation for well over a decade.  Investment grade antiques that used to be plentiful and inexpensive are becoming progressively rarer and more expensive.  Creeping inflation will eventually price many unwary investors out of the fine art market.

Antiques and Negative Interest Rates

Antiques as Alternative Investments in an Age of Negative Interest Rates

A rather disturbing thing has been happening in the investment world recently.  Interest rates have been going negative for short maturity – and sometimes medium maturity – sovereign debt.  This effectively means that “investors” actually pay governments to borrow money from them!  I use the word “investor” euphemistically in this context because paying for a guaranteed loss doesn’t seem like much of an investment to me.

And this phenomenon of negative interest rates has been spreading.  Countries such as Japan, Switzerland, Germany, Sweden, the Netherlands, Italy and Spain are currently (as of 2017) experiencing negative interest rates on short term government debt.  While other major countries like the United States, the United Kingdom, Canada and Australia don’t have negative interest rates yet, they certainly seem to be slouching in that direction.  It wouldn’t be a stretch to say that widespread negative interest rates in developed world sovereign bonds are almost an inevitability at this point.

This situation presents a bit of a conundrum to traditional investing strategies.  Classic balanced portfolios contain a mix of stocks and bonds.  But why would you allocate a portion of your money to investments like bonds that will earn you a negative return – a.k.a. a guaranteed loss?  Certain institutional money managers like pension funds, endowments and banks may have no choice but to accept negative returns for some of their investments due to their official mandates.  You and I are in a better position, however.  We, as individual investors, don’t have to accept this ridiculous situation.

Buying stocks is one obvious solution to sidestep negative interest rates.  But while this strategy isn’t completely without merit, it isn’t the panacea it may seem at first glance.  For one thing, stock valuations have risen relentlessly over the past several years already.  Much of this increase in price has been driven by falling interest rates.  Now that interest rates are already skirting zero in most developed nations, most of the easy money in equities has already been made.

This is especially true when one considers that negative interest rates reflect a weak global economy.  No rational investor will accept a negative rate of return on government debt if everything is fine, economically speaking.  So this proves, prima facie, that things are decidedly unbalanced in the global economy.  These inevitable future economic troubles, even if not apparent yet, do not bode well for the earnings potential of most stocks.

This leaves investors in a tight spot.  The traditional asset classes – stocks, bonds and cash – are either guaranteed money losers or carry substantial – some would argue unacceptable – risk.  What is a prudent investor to do?  Well, there is a little known alternative asset class that still sells at reasonable prices and has good return prospects: fine art and antiques.

Whether it is a gold encrusted Edo era Japanese lacquerware box or a weighty block of gem-quality, mint-green Guatemalan jadeite jade, art and antiques are endlessly captivating.  They unfailingly impart a sense of history, beauty and wealth to their lucky owners.  And most antiques are far more accessible than many people believe, too.  A few hundred dollars is usually enough to buy a compelling, elegant and historically important work of art.  Even as little as a hundred dollars can get your foot in the door.

Best of all, negative interest rates are nowhere to be found in antique-land.  Instead you can expect steady, moderate, positive appreciation for decades and decades to come.  Negative interest rates may be the bane of the modern investor, but there is no reason to feel intimidated into accepting them.  Fine art and antiques give a viable alternative to bubble-priced traditional asset classes that astute investors everywhere can appreciate.

Art and Antiques in Your Retirement Account

Art and Antiques in Your Retirement Account

So you’ve been considering investing in art and antiques when you suddenly have a brilliant idea.  Can you purchase these alternative assets in one of your retirement accounts – either a 401-k or IRA?  After all, many of us have significant amounts of money sitting in these accounts – sums ranging anywhere from just a few thousand dollars to upwards of several hundred thousand dollars.  Certainly diverting a small portion of your IRA from some hideously overvalued technology stock or near zero yield sovereign bond into investment grade art and antiques would be prudent?

Unfortunately, I have some bad news for you.  The U.S. government, in its infinite wisdom, has specifically declared most tangible assets to be off limits in retirement accounts.  The list is maddeningly comprehensive too.  Artwork, rugs, antiques, gems, stamps, coins and wine, as well as other tangibles are excluded.  To add insult to injury the IRS broadly labels these assets as “collectibles” – a term which I believe is both inaccurate and denigrating.

The sole exception to these draconian restrictions is certain bullion coins and bars.  In order to be IRA or 401-k approved, these bullion items must be struck in gold, silver, platinum or palladium in a minimum fineness of 0.995.  This sole precious metal carve out does little for the art or antiques enthusiast, however, as most of these bullion pieces (with a few important exceptions) have no collector’s value.

The ostensible reasoning behind the ban on art and antiques in U.S. retirement accounts is that they are considered too high risk.  This does the disservice of conflating worthless collectibles like Beanie Babies together with art masterpieces like Vincent van Gogh paintings.  Sure, some art and antiques are high risk.  But others are the bluest of blue chips.

In many ways it is no different from the stock market.  There are stable, respected, competently run companies like Apple, General Electric and Procter & Gamble that trade on the NASDAQ or NYSE.  There are also many shady companies with ethically challenged management that trade over-the-counter on the Pink Sheets.  Our illustrious politicians don’t seem particularly concerned that you can plow your retirement savings into unlisted, over-the-counter securities – the stock market equivalent of Beanie Babies.

The cynic in me believes these restrictions on art and antiques in retirement accounts may not merely be a quirk of obscure tax law.  I’ve long suspected that Wall Street lobbyists dictated 401-k and IRA legislation in a ploy to steer people into buying traditional investments.  After all, Wall Street generates obscene commissions when average people are forced into today’s dysfunctional stock market casino via their retirement accounts.

Our foreign friends are mostly in the same boat as U.S. citizens when it comes to investing in art and antiques in retirement accounts.  British personal retirement accounts – Self-Invested Personal Pensions (SIPPs) – do not technically forbid art and antique investments.  However, there are certain tax disadvantages to these “chattels” that effectively disqualifies the asset class – unless you enjoy walking through a tax mine field.

Canadians are no better off than their British counterparts.  The Canadian RRSP (Registered Retirement Savings Plan) does not make any allowance for art or antique investments.  However, like its U.S. counterpart, there is an exemption for certain precious metal bars and coins.

Australians looking to stuff investment quality art into their SMSFs (Self Managed Superannuation Funds) are in luck – sort of.  They are allowed to buy and hold art, jewelry, antiques, antiquities, coins, stamps, wine, classic cars and rare manuscripts, among other items.  This enlightened approach to funding retirement through art investments isn’t without restrictions, however.  Any art owned in an SMSF is subject to strict rules related to storage, insurance and appraisal.

I believe the unreasonable restrictions on art investments in U.S. retirement accounts will eventually be lifted.  But it will not happen before the smart money has enjoyed many years – perhaps even decades – of outsized gains in this superior asset class.  This situation will undoubtedly be a major frustration for average people trying to generate higher returns in their 401-k and IRA accounts.  Only investors with liquid funds available outside of retirement accounts will be able to take advantage of the tremendous opportunities found in art and antiques.