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Opportunity Fatigue

Opportunity Fatigue

The year was 2003 and I couldn’t believe what I was seeing on eBay. I had just completed a search for Japanese one yen coins. These are large, silver dollar-sized coins that Japan minted from the 1870s until World War I.

I was shocked by the results that were returned. There were dozens of slabbed (3rd party certified) mint-state (mostly MS-63) silver Japanese one yen coins available for a buy-it-now price of only $60.

These were impressive coins in the highest possible condition with implicit authenticity guarantees due to their certification. But only $60 a coin? Really? Why were they so cheap? And why were so many available?

In the end, I never bought any of them, although in retrospect I desperately wish I had. Today, the same coin – certified and in the same condition – would cost you about four times as much – $240 give or take. That translates into a compound annualized return of slightly over 12% before commissions and fees.

So what went wrong? Why didn’t I grab the great deal that was staring me in the face when I had the chance, especially considering I had no doubt that it was a great bargain at the time?

Unfortunately (or maybe fortunately), certified Japanese silver 1 yen coins weren’t the only asset trading cheaply at the time. I was also making frequent purchases of pre World War I European fractional gold coins at the time. In the stock market I was into oil and gas royalty trusts.

My attention was being pulled in many different directions and in the end I didn’t feel I had the time or energy to strike out into yet another area. I also wasn’t making great money at the time and a couple hundred dollars was a lot of money to me. These reasons all amounted to excuses on my part.

In retrospect I could have easily bought a few Japanese one yen coins, simply thrown them into a safe-deposit box and happily ignored them for the next decade or two. I could have earned returns that would have made most stock market participants sick with envy.

I think the primary reason I didn’t acquire any silver Japanese one yen coins was due to a concept I call “opportunity fatigue”. Even when we are presented with great bargains, opportunity fatigue causes us to second-guess ourselves in two ways.

First, how can a quality asset trade so cheaply? This is a variation on the efficient market hypothesis which states that all pertinent information concerning an asset is already embedded in its price. Therefore, if an asset is available cheaply, it must be because it isn’t very good.

Otherwise all other market participants would have already recognized its value and bid it up. Of course, in the real world efficient markets don’t really exist; they are a theoretical construct of academics who don’t understand just how irrational and trend-following investors actually are.

Second, even if you do buy an undervalued antique it is unlikely that prices will begin moving up immediately. Instead you will still see a dozen or more very similar antiques just sitting on the market for the same price. It usually requires several years of an asset wallowing in low-price obscurity before enough buying pressure accumulates to definitively and permanently raise prices.

In the meantime, opportunity fatigue wears us down.  We are left with the nagging feeling that we’ve sunk our hard-earned money into a loser, an illiquid asset that – on a good day – is worth no more than what we paid for it.

It is very important not to succumb to opportunity fatigue. It can be one of the costliest dangers that you will face in the field of alternative investments. One way to mitigate this risk is to systematically make purchases in your chosen asset category on a regular basis – basically dollar-cost averaging. The other way is to keep in mind that by investing in art and antiques – the cutting edge of alternative investments – you will undoubtedly be, temporally speaking, far ahead of more average investors.

In these circumstances it shouldn’t be surprising that the rest of the crowd doesn’t catch on for a few years. In fact, that is the primary advantage of investing in art and antiques. It gives you ample time to accumulate both greater market knowledge and a significant position, in stark contrast to all the momentum chasers that will surely come later.

Super-Size Your Art Buying

Super-Size Your Art Buying

One delightful art buying trick for the serious art connoisseur is to purchase works in bulk. I am aware that this might seem counterintuitive at first blush. Art – good art anyway – is not mass-produced. Instead, its one-of-a-kind, unique nature is part of its allure. But there are certain unusual situations where one is afforded the opportunity to buy in quantity. When those circumstances arise, don’t be afraid to be unconventional in your art buying.

I’ll use my own situation as an example. Way back in 2006 I was monitoring eBay for deals in an area of special interest to me – medieval South Indian gold coins. And I was in luck. A seller from Great Britain was looking to sell a small collection of six half pagodas from the South Indian Vijayanagara Empire.

These were highly collectible, intriguing little gold coins with Hindu gods and goddesses on the front and native script on the reverse. I don’t know where the seller acquired this collection, but it may have had to do with the fact that India was once a colony of the British Empire. This means there are a substantial number of cultural and commercial ties between the two nations.

Photos revealed the coins were very high quality pieces, with exceptionally strong striking and good centering. They were very close to what I wanted, although not perfect. The coins were unattributed as to ruler and the collection contained duplicates. In short, it was a generic lot.

I placed a bid of £168.99 British pounds which was duly accepted. When combined with shipping and handling and converted at the prevailing dollar-pound exchange rate my total cost was just over $58 U.S. dollars per coin. Quite a bargain for 500 year old gold coins in phenomenal condition!

Many years have passed since I purchased that lot of amazing medieval Indian gold coins and I still proudly own them. However, it is only recently that the true wisdom of buying these pieces in bulk has become apparent.

Today gold half pagodas from the Vijayanagara Empire cost anywhere from two to three times as much as I originally paid. This equates to an approximately 8% to 13% return per annum (in U.S. dollars) over my holding period. However, due to the weakness of the British currency over the last several years, if calculated in pounds my return would be 11% to 17% per annum!

It can be difficult to predict how well specific segments of the art or antique market will perform in the future. But art buying in quantity allows you to effectively leverage your collecting knowledge. It takes almost the same amount of time to evaluate a lot of a half dozen similar coins as it does one.

The same idea applies to many other areas of the art market as well. So, provided you have done your due diligence first, it makes sense to opportunistically buy interesting specimens in bulk if you are presented the chance. Although it may take many years for such a move to pay off, in the end you’ll be very glad you did it.

Portability: An Often Overlooked Investment Attribute of Tangible Investments

Portability - An Often Overlooked Investment Attribute of Tangible Investments

One factor often overlooked in a truly diversified asset portfolio is portability – an absolutely vital characteristic of tangible investments. Portability provides two primary benefits. First, it acts as an insurance policy against political or social upheaval. Second, it allows circumspect individuals to build substantial wealth for themselves in an inconspicuous way.

Art and antiques excel as concentrated, portable wealth. This concept is best encapsulated via the idea of value density. On the basis of either weight or volume, art and antiques pack massive amounts of market value into tiny objects. For example, you could easily fit a few dozen vintage gold wristwatches into a small attaché or laptop case. Yet that same collection – if well chosen – could be worth as much as a house! This illustrates the relationship between value density and portability rather succinctly.

Portability is an important investment attribute in part because you never know when or where political or social instability will happen. People who have stored a significant portion of their portfolios as tangible assets have historically had a distinct advantage in evading unstable and violent regimes.

It certainly helped the Jews who fled Nazi Germany in the mid 1930s. It’s the same for the Vietnamese “boat people” who escaped the brutal communist Vietnamese government after the collapse of U.S. backed South Vietnam in the mid to late 1970s. Today, families with portable wealth looking to depart the rapidly failing socialist experiment of Venezuela have tremendous leverage.

It is a truism of history that just a few gold coins or high-value pieces of jewelry will allow you to successfully bribe your way through a dangerous border crossing. And, once across the border, tangible wealth will also allow you to rebuild your life much more quickly.

Art and antiques are the embodiment of discreet wealth. Imagine for a moment a dozen houses on a typical suburban street. Each house is modest in size and looks more or less identical from the outside. You could easily drive by without having any idea that one of those houses is loaded with $100,000 (or more) in coins, jewelry, old-master prints or any number of other forms of art. The only person who knows is the person who owns the assets. Portable wealth is discreet wealth and discreet wealth is the basis of financial peace of mind.

This is in direct contrast to more conspicuous traditional assets. Real estate, for example, is a tangible asset, but it cannot be moved or hidden. It is always on display for everyone to see. Consequently, real estate is completely exposed to frivolous lawsuits or adverse tax law changes.

Paper assets like stocks, bonds and cash are inordinately dependent on the stability of the financial system and the vagaries of the tax code. Under normal circumstances this isn’t an issue, but currently the financial system is under severe stress. Will your stock broker survive the next financial crisis? Will congress change the tax code so that Roth IRA withdrawals are no longer tax free? No one knows the answer to these questions and anyone who claims to know is lying.

In the end, all roads lead back to the prudent simplicity of portable hard assets. I’m not saying that you shouldn’t hold any real estate, stocks, bonds or cash. To the contrary, I believe these traditional assets are an important part of a balanced investment portfolio. But by the same token, it is also wise to allocate something to portable, physical investments like fine art and antiques.

Possession Is 9-10ths of the Law – Antiques versus Financial Assets

Possession Is 9-10ths of the Law - Antiques versus Financial Assets

Perhaps you have heard the saying “possession is 9/10ths of the law”? People are beginning to realize just how true this statement is, particularly in regards to financial assets. For instance, the stock that you own in a corporation represents fractional ownership of the company.

At this point, most people don’t even get a pretty paper stock certificate. Instead your fractional ownership is represented by virtual digits somewhere in a server farm. The corporation’s appointed transfer agent is actually the entity that keeps track of who owns what. So why does all this matter?

It matters because sometimes, even in developed nations, owning an asset theoretically doesn’t always translate into owning it a real, permanent way.

For example, if the company you hold shares in goes bankrupt, the most likely outcome, after a lengthy bankruptcy reorganization, is for your common shares (fractional ownership) to be cancelled. Poof! Gone! Just like that. There is no compensation.

Don’t think it can happen to you? It happened to shareholders in previously illustrious companies such as Kodak, GM, Borders and Lehman Brothers. These were all well-known companies that were at one time leaders in their respective industries. It didn’t matter. All of their outstanding shares were eventually cancelled without restitution. This tragedy will undoubtedly repeat – quite legally – in the future.

Maybe you believe this warning doesn’t apply to you because your retirement account is stuffed full of bonds? Well, bondholders almost always take write-downs on their holdings during corporate bankruptcy proceedings as well. Sometimes unsecured creditors, like junior debenture (bond) holders, take losses of up to and even exceeding 90%! This is the unfortunate fate that RadioShack’s unsecured bond holders encountered in 2016.

But, you protest, I only invest in the safest bonds: government, state and municipal debt. Well, these conservative financial instruments aren’t as safe as they used to be either. Puerto Rico is currently in the process of trying to declare bankruptcy. Its triple tax exempt bonds, a perennial favorite with individual investors, are sure to receive haircuts (losses) in the near future.

Greece too, is struggling again with imminent bankruptcy after writing down its debt just a few years ago. While Puerto Rico and Greece are trailblazers today, many other local and national sovereigns are sure to follow in the tumultuous years to come. And unsuspecting investors are the ones who will suffer the loss.

Even savings accounts are no longer sacrosanct. The concept of “bail-ins” has been floated for banks under extreme duress in some countries. Under these circumstances, depositors would forfeit some percentage of their checking and savings accounts to help recapitalize the banking system.

Think it can’t happen? It already did in Cyprus and looks like a near certainty in Greece as well. Sure, it is the last strategy that politicians embrace when they can’t beg, borrow or steal anymore funding from anywhere else. But the fact remains that when things get rough, it is definitely still an option.

What is a prudent investor to do? Sell all your stocks and bonds? Withdraw your life savings from the bank and horde it under the mattress? I wouldn’t do that.

But I do believe that art and antiques offer a sophisticated, safe alternative to the legalized theft that can occur in financial markets. While the market value of any particular artwork will fluctuate, particularly in times of economic dislocation, the chance of it declining in value to zero is nil. And if you wait until any economic chaos subsides you have a good chance of recovering any theoretical losses. An antique can never be cancelled or restructured in bankruptcy. Art and antiques, unlike stocks and bonds, are forever.