Understanding Exotic Wood Burls

Understanding Exotic Wood Burls
Photo Credit: Housing Works Thrift Shops

What are wood burls?

A burl is the abnormal growth of a tree associated with some environmental stress.  Burls are believed to be the result of an insect infestation, fungal, bacterial or viral infections or physical damage from lightening, logging or natural tree-fall.  They usually take the shape of a bulbous mass or protrusion near the injury, although they can sometimes form in the root system below ground level.

 

Why are wood burls desirable?

In contrast to its homely exterior, the inside of a wood burl is a wondrous thing.  Wood burls are, simply put, everything that make fine wood special distilled into a single, gorgeous package.  They invariably contain the most complex and intriguing grain patterns found in all of woodworking, including (but not limited to) blister, curly and bird’s eye figures.  Indeed, it is not uncommon to find every one of these covetable elements incorporated into a single burl.  Predictably, this makes burls visually stunning, particularly when combined with a boldly colored wood.

 

How are wood burls used?

Burls are employed anywhere a relatively small, aesthetically appealing wood surface is desired.  Furniture will often incorporate thin burl veneers to cover larger areas cost effectively.  But smaller items such as jewelry or valet boxes, fountain pens, turned bowls, objets d’art and custom knife and gun handles can be made from solid wood burls.  Basically any wooden luxury item can be fashioned from burl, provided the end customer is willing to pay the often substantial price tag.

Working with burls is a delicate process and high wastage is commonplace.  Because of their irregular formation, it isn’t unusual for wood burls to be full of voids, sap pockets, silica, bark and even rocks (for root burls).  This makes the woodworker’s job very difficult.  Exceedingly sharp tools made of super hard alloys help prevent tear-out due to the highly figured, interlocking grain.  But years of experience are the best ally of the craftsman who wants to fashion raw burl into a woodworking masterpiece.

 

Why are wood burls so expensive?

The answer to this question is fairly simple – because they are rare and in extraordinarily high demand.  Wood burls only form unpredictably from anomalous situations – an insect infestation, physical trauma, etc.  Therefore, there is a substantial element of chance in their formation.

In addition, many tree species are not naturally predisposed to the formation of burls.  If these species should suffer the injuries mentioned above, they will more often than not simply die without forming a burl at all.

Burl’s unusual origins mean that it cannot be successfully cultivated via plantation-style tree farms.  Many species of commercially important lumber trees – teak, mahogany and pine, for example – have been adapted to tree plantations where their growth can be specifically regulated and accelerated.  But it isn’t possible to reliably stress a tree in the proper way to ensure the creation of a burl.  In most instances, you would just kill the unfortunate tree.

Therefore, burls are only created in nature by happenstance and then discovered by dedicated loggers who must slog through dense forests, steep mountains and remote wilderness to secure them.  Given the difficulties in procuring them, it is a wonder that wood burls are as widely available in today’s marketplace as they are.  However, with mankind’s continued destruction of forests and other natural habitats, this relatively widespread availability might not persist.

 

Types of wood burls

As mentioned above, some tree species are naturally predisposed to the creation of burls while most are not.  I have listed below the kinds of trees that commonly form burls, which also makes them the most frequently encountered wood burls in a commercial setting.  This list is meant as an overview only, however, and is undoubtedly incomplete.  In addition, it is occasionally possible to find wood burls for sale from species that do not normally produce them.  Those tree species, of course, will not be covered here.

 

Walnut Burl

There are actually several different species of walnut that tend to form burls: English Walnut (Juglans regia), Black Walnut (Juglans nigra) and Claro Walnut (Juglans hindsii).  English Walnut’s natural range extends from Eastern Europe to Western Asia, while Black Walnut is native to the Eastern United States.  Claro Walnut is a closely related species found exclusively in Oregon and California.

Walnut burls, with their rich chocolate tones and wild figuring, are among the most desirable of wood burls.  They have been used in Europe for hundreds of years in high end furniture and wood turning.  Indeed, it isn’t uncommon to find 18th century Georgian and 19th century Victorian antiques that lavishly employ walnut burls in both veneer and solid form.

 

Carpathian Elm Burl

English Elm (Ulmus procera) is a large tree found in Western Europe that features light reddish-brown wood.  English Elm is often referred to as Carpathian Elm when it comes in burl form, even though these are really the same species.  This type of burl most commonly comes in veneer form with solid material being rather scarce.  The grain patterns on Carpathian Elm burl usually consist of very tightly packed bird’s eye elements caught in swirling eddies.

 

Black Cherry Burl

A deciduous hardwood from the Eastern U.S., Black Cherry (Prunus serotina) timber has been prized for centuries for its superior workability and glowing, reddish-brown patina.  Although it is fairly widespread from a geographical perspective, Black Cherry trees reach their largest dimensions in the primeval Appalachian forests of central Pennsylvania.

Cherry wood’s almost legendary status is elevated even further when found in its rare burl form.  Bird’s eye elements and gently meandering grain patterns accentuate the wood’s naturally rich rose tones.  When cherry burl does come on the market it is invariably scooped up by experienced woodworkers for turned bowls, knife scales and other fine woodcrafts.

Although the Black Cherry species dominates the cherry lumber trade, its smaller European cousin – Sweet Cherry (Prunus avium) – yields very similar burl material on occasion.

 

Buckeye Burl

The Buckeye (Aeculus octandra) is a rather unusual tree, at least from a woodworker’s perspective.  This medium-sized deciduous tree is a resident of the Eastern United States.  But its wood is a boring, creamy-white color with little in the way of interesting grain features.  In addition, its timber is soft and weak, making it ill-suited for most structural purposes.  Under most circumstances, Buckeye wood has no commercial use.

Buckeye burls, on the other hand, are an eye-catching kaleidoscope of intense blue-blacks contrasted against golden-tinted ivories.  Buckeye is a root burl, meaning it often contains irregular void pockets, along with sand and small rocks.  In spite of this, wood-loving craftsmen cherish this burl for its unique color palette and amazing grain patterns.

 

Redwood Burl

Redwoods (Sequoia sempervirens) are renowned coniferous denizens of the California coast, towering up to 300 feet (90 meters) tall with diameters of as much as 12 feet (3.7 meters).  Redwood lumber is renowned for its ability to weather the elements, making it a natural choice for decking and outdoor furniture.

But it is Redwood burl, with its impossibly intricate lace patterns and intense reddish hue, that has really captured the modern imagination.  Because Redwoods are among the world’s largest trees, it isn’t uncommon for their wood burls to be absolutely massive.  This makes it possible to occasionally find solid burl slabs large enough to fashion into dining tables or other large showpieces.  A large slab of Redwood burl can easily go for more than $1,000 on the open market.

Unfortunately, the high prices and unflagging popularity of Redwood burls have prompted poachers to illegally harvest the wood from trees located in protected national and state parks.  Of course, reputable lumber dealers will not touch these poached goods.

 

Bigleaf Maple Burl

The Bigleaf Maple (Acer macrophyllum) is a variety of soft maple that grows in the Pacific Northwest of the U.S. and Canada.  This impressively large tree reaches sizes of up to 100 feet (30 meters) tall with a diameter of up to 3 feet (1 meter).  Bigleaf Maple timber is considered a good all-purpose wood, albeit somewhat visually boring.  Consequently, it is fairly low in price.

All that changes when we start talking about maple burls, though.  Instead of an uninspiring beige or white color, Bigleaf Maple burl sports an array of colors ranging from orange to coral to golden-cream.  In addition, it is sometimes possible to acquire spalted maple burl, which is wood that has been exposed to fungus.  This creates wildly contrasting grain patterns lain overtop the already mentioned sumptuous colors.  Bigleaf Maple burls also commonly come with live edges, which skillful woodworkers can exploit to create artistic masterpieces.

 

Madrone Burl

The Madrone (Arbutus meziesii) is a medium-sized broadleaf evergreen tree endemic to the U.S. Pacific Northwest.  This tree goes by several other names, including Madrona, Pacific Madrone and the rather whimsical Strawberry Tree.

Plain Madrone wood isn’t often used in woodworking because it is subject to severe warping.  However, its hard, dense root burls are in perpetually high demand from knowledgeable woodworkers.  They are not only magnificently figured, but also sport delicately cream-colored wood with pink to light red overtones, which makes for a visually stunning wood burl.

 

Myrtle Burl

Myrtle (Umbellularia californica), otherwise known as Oregon Myrtle, Pepperwood or California Bay Laurel, is a medium-sized evergreen hardwood native to California and Oregon.  Plain Myrtle wood is easy to work with and finishes well, a real bonus when combined with its striking range of colors.

Those marvelous colors – honey yellows, butterscotch browns and dulcet oranges – make Myrtle burl particularly appealing.  It is even possible to find Myrtle burl that sports wild black or violet highlights.  These unique color combinations are the result of slight variations in the mineral content of the soil the trees grow in.

Myrtle burl is incredibly expensive for a domestic hardwood, but might just be the perfect burl for the woodworker who wants to try something a little bit different!

 

Eucalyptus Burl

Almost all eucalyptus trees are native to Australia, where almost 700 different species in the genus reside.  Despite this genetic diversity, eucalyptus wood tends to share certain physical similarities that make it an excellent general purpose lumber.  These include high density, excellent hardness and good strength.

Eucalyptus burls, however, take these desirable physical properties and supercharge them with magnificent resin veining, bird’s eye figuring and crotch patterns.  Although the eucalyptus genus as a whole is susceptible to forming burls, certain species are particularly noteworthy.

For example, Jarrah (Eucalyptus marginata) – a eucalyptus found in southwestern Australia – is renowned for its deep burgundy color and the incomparable figuring of its burls.  For those who are interested, I recently featured an outstanding contemporary Jarrah burl watch box in the Spotlight section of my website.

River Red Gum (Eucalyptus camaldulensis) is another well known reddish eucalyptus burl, although it usually isn’t as strikingly figured as Jarrah burl.

Yellow Box (Eucalyptus melliodora) forms desirable burls with a characteristic, yellowish-cream to golden-brown color.

Red Box burl (Eucalyptus polyanthemos) is the final eucalyptus burl commonly encountered.  Burls from this species can be an intense brownish-red, making it a favorite of woodworkers looking for the perfect color for that special project.

There are, of course, many other eucalyptus burl species not mentioned here.  And woodworkers interested in Australian burls should note that pockets full of sand, dirt and rocks are fairly common hazards.  Even so, the stunning beauty of eucalyptus burls makes them well worth the effort.

 

Thuya Burl

Thuya (Tetraclinis articulata) is one of the more interesting and exotic trees in our list.  Native to the remote Atlas Mountains of Morocco, this relatively small coniferous tree is a member of the Cypress family – Cupressaceae.  Thuya wood has been used since ancient times, and was highly prized by both the Greeks and Romans for its pleasant fragrance and mesmerizing orange-brown to red-brown root burls.

In fact, Thuya was purportedly used – along with the famous cedars of Lebanon – to construct King Solomon’s Temple in Jerusalem.  In the 1st century BC, the famous Roman politician Marcus Tullius Cicero bought a Thuya burl table for the princely sum of 300,000 denarii.  This sum was more than 1,300 times the annual salary of an average Roman solider.

Today, Thuya burl is becoming much scarcer because of the tree’s limited geographical range and widespread deforestation.  As a result, Thuya burls are typically only available in small sizes.

 

Amboyna Burl

Amboyna burl is actually derived from multiple tree species in the Pterocarpus genus, most notably the Narra tree (Pterocarpus indicus) and Burma Padauk tree (Pterocarpus macrocarpus).  These tropical hardwoods grow in the rainforests of Southeast Asia, Indonesia and Borneo.

Amboyna burl first came to the attention of Europeans in the late 18th century, when the colonial powers in Southeast Asia began to import it into Europe in quantity.  It quickly became one of the world’s most favored burl woods – a title it still retains.  Today, Amboyna burl is often used for the interior trim of ultra-expensive luxury cars like Bentleys and Maybachs.

Demand for Amboyna burl has been so strong that it can be difficult to source in larger sizes due to overharvesting.  Expect to pay egregiously high prices when you do manage to find any, regardless of its size.

Amboyna burls range in color from a light, honey-gold to a strikingly rich red.  It also displays wonderfully complex figuring, including bird’s eye, crotch and blister patterns.  No wonder Amboyna burl is the most prized wood burl on the planet!

 

Camphor Burl

The Camphor tree (Cinnamomum camphora), or Camphor laurel as it is sometimes known, is a tropical hardwood found in Southeast Asia.  This is another one of those trees where the plain wood is considered below par in the woodworking world.  It isn’t as strong or hard as many tropical hardwoods and has a fairly mundane, light brown color that is often mixed with rather unattractive olive or gray tones.  Because of this, plain Camphor wood is rarely exported for commercial purposes.

Camphor burl, however, is a completely different animal.  Here the wood takes on a much more vivid golden-brown color complemented by intense curly figures interspersed with bird’s eye patterns.  Camphor burl is commonly available in both veneer and solid burl forms, and is often used for electric guitar tops.  One unusual fact about Camphor wood is that freshly worked material smells strongly of root beer!

 

Read more thought-provoking Antique Sage materials articles here.

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Modern Leopardwood & Walnut Men’s Valet Box

Modern Leopardwood & Walnut Men's Valet Box
Photo Credit: Ron Lentz

Modern Leopardwood & Walnut Men’s Valet Box

Asking Price: $189 (price as of 2019; item no longer available)

Pros:

-Striking is the watchword for this Leopardwood veneer and Black Walnut men’s valet box by the master woodworker Ron Lentz.  The interior is divided into three suede-lined compartments that can perfectly accommodate watches, wallets, keys and other personal items.

-This men’s Walnut and Leopardwood valet box measures 15.5 inches (39.4 cm) long by 7.75 inches (19.7 cm) wide by 2.5 inches (6.4 cm) high, giving ample interior room for storage.

-A valet is a dresser-top box used to store a man’s personal accessories, such as his keys, watches, cufflinks, rings, glasses and wallet.  A valet can be either a box with a lid, or a deep tray that is open on the top.  By keeping all of a man’s personal effects in one place, a valet can really help clean up a cluttered space.

-The body of this men’s valet box is crafted from beautiful Black Walnut, one of North America’s premier cabinetwoods and an expensive wood in its own right.

-The balance of this fine valet is accented with exotic Leopardwood veneer, a valuable tropical hardwood species found in South and Central America.

-Ron Lentz is a gifted, self-taught woodworker based in Midlothian, Virginia.  After a successful career in architecture, he transitioned into fine woodworking in the 1990s.  Ron’s background and incredible skill are evident in his works, which possess a distinctly architectural sensibility.

-The intersection between the spotted Leopardwood veneer and rich, chocolate-toned Black Walnut in this men’s valet box is truly eye-catching.  Impressive visual elements like this are what separate more mundane woodworking from the best of the best.

-I’ve featured Ron’s masterpieces in a previous Spotlight post.  They are truly compelling works of art.

-I rarely consider a hardwood box to be an investment, but I’m going to call it here.  This men’s valet box is a straight-up investment – it is simply that good.

-The craftsmanship of this men’s valet box is absolutely top-notch.  You are not simply buying a box here, but a work of art.  As such, I believe that the asking price of $189 is well worth it.

 

Other Men’s Valet Boxes By Ron Lentz for Sale on Etsy

(These are affiliate links for which I may be compensated)

 

Cons:

-The Leopardwood used in this box is only a thin veneer.  While using solid Leopardwood would be far more desirable (and lavish), it would also be cost-prohibitive given the rarity and expense of the tropical timber.

 

Read more fascinating Antique Sage fine hardwood item spotlight posts here.

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Anatomy of an Entry Level Art Investment

Anatomy of an Entry Level Art Investment
Photo Credit: Matsu Kaze Japan

The motto of the Antique Sage website is “Art as Investment”.  I am fully committed to the idea that entry level art is both an affordable, and accessible, investment vehicle.  But I also understand that the concept of investing in art can be very intimidating to the neophyte collector or casual admirer.

Traditional investments like stocks and bonds might seem like a safer bet in this context.  It is so much easier to just turn on your automated bi-weekly payroll deductions, dump the proceeds into an S&P 500 Index fund and forget about it.  But this sense of safety in paper assets is really a cruel deception.

In reality, conventional assets are more overvalued now than at any point since just before the great Wall Street Crash of 1929.  A lot of people will lose a lot of money on these supposedly “safe” investments over the next decade.  Fine art and antiques, on the other hand, represent a compelling alternative to these junk paper assets.

That is the primary reason I started my website: to educate people about the tremendous opportunities available in the world of fine art and antiques.  I have often found that the best way to do this is to showcase a specific item and walk viewers through its merits.

But first I think it’s important to address the question, “Why entry level art?”  What artwork can the average person possibly hope to buy for $100 or $200 that could be considered investment grade?

Simply put, a work of art doesn’t have to be expensive to be desirable.  Sure, there are some hideously expensive pieces of art that are wonderful investments.  But there are also entry level works well within the reach of the average person that are just as compelling from an investment standpoint.

The antique Japanese samurai sword fittings pictured at the top of this article are a case in point.  They consist of two pieces: the butt-end of a sword grip, known as a “kashira”, and the top of a sword grip, called a “fuchi”.  These two pieces book-ended a samurai’s sword handle.  They were not only functional – helping to keep everything in place – but also decorative as well.

Samurai sword fittings, like this kashira and fuchi pair, are extremely collectible today.  And it is easy to see why.  This set undoubtedly come from Japan’s Edo era, a period from 1603 to 1868 when the island nation was ruled by the Tokugawa Shogunate.  During this time, Japan was a feudal society segmented into four distinct social castes: samurai (warriors), peasants (farmers), craftsmen and merchants.

Only the samurai, sitting at the very top of the social hierarchy, were permitted to carry weapons in public.  These took the form of the world-famous katana, along with the samurai’s lesser known short sword, the wakizashi.  Because they were symbols of a samurai’s status, the katana and wakizashi were often lavishly decorated, especially in the later Edo period.

The kashira and fuchi pictured above are relatively simple in their design, but quite aesthetically pleasing nonetheless.  The Japanese have been masters of understated ornamentation for centuries, and these samurai sword fittings underscore just how fluidly they crafted truly compelling, yet still minimalist, works of art.

These handmade Japanese antiques are truly old – at least 150 years old and possibly as much as 400 years old.  In addition, they show unmistakable signs of use in the form of small dings, scratches and surface wear.  Although this means they are no longer in pristine condition, conversely, it also means that they were a functioning piece of kit for a real samurai warrior.  This is a true link with the distant past that you cannot get any other way, except through a fine antique.

This kashira and fuchi set are made from premium materials: horn, shakudo metal and gilt decorations.  Shakudo is a traditional Japanese alloy composed of anywhere from 1% to 7% gold, with the balance copper.  The resulting alloy takes on a deep, velvety black patina over time, which is fully developed on this samurai sword fuchi.  Shakudo was a very expensive material in Tokugawa Japan due to its gold content.

The raised gold design on the fuchi is a kamon, or Japanese family crest.  Although I have not been able to identify this particular kamon, the potential remains for the happy buyer of this lot to do so in the future.  This would allow you to not only discover the samurai family associated with these intriguing artworks, but also the geographic location in Japan where they were fashioned and used.

Shockingly, this fascinating bit of Tokugawa Japan could have been yours for a mere $118 – if it hadn’t already sold, that is.  $118 is hardly more than the average American family’s monthly cable bill.  And if you would are willing to take advantage of eBay flash sales or eBay Bucks promotions, you could pick up similar investment grade antiques at 8% to 15% discounts off their asking price.

Personally, I find it almost unbelievable that you can buy a bona fide piece of samurai history for such a modest sum.  Really the next logical question is, “Why does it cost so little?”

This answer is disarmingly straightforward.

This kashira and fuchi pair are not anywhere close to the highest quality workmanship available in antique Japanese sword fittings.  In fact, it is possible that the set is provincial in origin, created by a craftsman operating in the Japanese hinterlands for a minor samurai family.  Their simplicity and stylistic naiveté render them an entry level art investment.

But entry level is not necessarily a bad thing.  It allows the aspiring art enthusiast or Japanophile to get in on the bottom rung of the investment grade art world for a surprisingly modest sum – only $118.

And in spite of their low price, this antique kashira and fuchi are still extremely desirable.  They are also quite approachable; you don’t have to constantly fear that you are going to mishandle or damage a museum-quality piece with these artworks.

In short, they are a perfect example of the beautiful entry level, investment grade art that is sitting around just waiting to be discovered.  Yes, as amazing as it sounds, you absolutely can invest in fine art for little more than a single C-note.

 

Read more thought-provoking Antique Sage investing articles here.

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1890 French Agricultural Medal by Hubert Ponscarme

1890 French Agricultural Medal by Hubert Ponscarme
Photo Credit: Enjoy Treasure

1890 French Agricultural Medal by Hubert Ponscarme

Buy It Now Price: $50.97 (price as of 2019; item no longer available)

Pros:

-This solid silver French agricultural medal from 1890 features the winged bust of the Roman god Mercury on the obverse and his caduceus (staff) surrounded by farm bounty on the reverse.

-This antique silver medal measures 40 mm (1.57 inches) in diameter and weighs 38 grams (1.22 troy ounces).  This is impressively large, surpassing both the size and weight of a U.S. silver dollar.

-The designer of this French agricultural medal, François Joseph Hubert Ponscarme (commonly shortened to Hubert Ponscarme), was a French sculptor and medalist who worked from the early 1850s until his death in 1903 at the age of 75.

-The inscription on the reverse of this medal reads “Cercle Agricole de Rethel Ardennes 1890”, which roughly translates as “Agricultural Cooperative of Rethel Ardennes 1890”.

-Hubert Ponscarme won several artistic awards during his life, including placing in the prestigious Grand Prix de Rome competition in 1854, 1855 and 1857.  He was also one of the French Emperor Napoleon III’s official medal portraitists during the 1850s and 1860s.

-Rethel is a small town located in the Ardennes department of northeastern France.  Purportedly founded by the Roman general Julius Caesar in the 1st century BC, Rethel was a center for wool-spinning and the manufacture of woolen fabrics in the late 19th century.

-Created near the end of Hubert Ponscarme’s career, this French agricultural medal reflects his technical maturity as an artist.  This can be seen in the marvelous details of Mercury’s bust and also how the grape vine clings to the presentation plaque on the medal’s reverse.

-This French agricultural medal comes straight out of the country’s famous Belle Époque period, which stretched from 1871 until the outbreak of World War I in 1914.  This cultural golden age produced many notable French people, including the chemist Marie Curie, the artist Paul Gauguin, and the mathematician/physicist Henri Poincaré.

-Ponscarme was known for using typography as a central feature of his medal designs.  This is clearly visible in the example above, where the bold, Roman-inspired font frames the medal perfectly.

-The $51 asking price is unbelievably cheap for a 130 year old, solid silver French medal in absolutely superb condition.  I have absolutely no reservations about recommending this piece as a top-notch investment.

 

Cons:

-Agricultural medals are not as popular as transportation-themed medals showing automobiles, trains or airplanes.  But with a buy-it-now price of only $51, it is tough to go wrong with this beautiful antique silver medal from the height of the French Belle Époque.

 

Read more fascinating Antique Sage numismatic spotlight posts here.

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