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Champlevé Enamel & Sterling Silver Gorham Dessert Set

Champlevé Enamel & Sterling Silver Gorham Dessert Set
Photo Credit: sterlingmasters

Champlevé Enamel & Sterling Silver Gorham Dessert Set

Buy It Now Price: $1,395 (price as of 2018; item no longer available)

Pros:

-Here is a very rare champlevé enamel and parcel-gilt sterling silver Gorham dessert set, consisting of 11 scalloped spoons and one cake or ice cream serving knife.  This unusual set originates from the 1880s, during the Victorian era.

-The spoons in this set each measure approximately 5 inches (12.7 cm) long, while the server is 9.125 inches (23.2 cm) long by 2.5 inches (6.3 cm) across.  The total weight of this Gorham dessert set is 302 grams (9.71 troy ounces) of sterling silver.

-During the Victorian period, silverware sets were created for every possible situation.  One of these was the dessert, ice cream or fruit set.  As the names imply, these silver flatware sets were specially manufactured for use with dessert.  This could range from cakes or tarts to puddings, trifles or ice cream.  A luscious spread of fresh fruit was also a favorite Victorian dessert.

-The Gorham Manufacturing Company is one of the most desirable makers of antique silver.  The firm was founded in Providence, Rhode Island in 1831 and eventually came to dominate the high-end U.S. silverware market in the late 19th to early 20th century.  The company ceased to be independent in 1967, causing quality to gradually erode after that time.

-Enamel is a very challenging material to work with.  It requires the meticulous application of powdered glass to a carefully prepared metal surface.  The item is then fired in a furnace at very high temperatures (usually 750 to 850 °C or 1,380 and 1,560 °F) which allows the powdered glass to melt and flow over the object.  This creates a smooth, colorful enamel surface that contrasts beautifully with any surrounding metal.

-The bowls of the spoons in this Gorham dessert set are gilt.  This was fairly common among dessert sets because they would oftentimes come into contact with acidic fruits, especially citrus.  Regardless, it is a wonderful touch that indicates a high quality set of sterling silver.

-Champlevé is a particular enamel technique where a flat metal surface has a myriad of different cells carved into it.  These cells delineate the object’s design and each one is filled with a specific color of powdered glass, as required.  The item is then fired at high temperature as with other types of enamel.  Champlevé enamel was especially popular in Europe during the early medieval period and is often associated with Romanesque art.

-Most antique sterling silver sets were made from patterns – designs that were reproduced in quantity for decades after they were initially created.  However, this champlevé enamel and sterling silver Gorham dessert set is almost certainly a very low production or one-of-a-kind set, making it extremely desirable.

-I love the opulent, medieval-inspired trefoil design of this sterling silver Gorham dessert set.  The lavish enamel-work, with its combination of royal blue and golden-yellow, also really makes the pattern pop.

-Given its magnificent condition, prestigious maker and obvious rarity, I believe that this Gorham dessert set is worth the $1,395 asking price.  However, you can always make the seller a lower offer if the stated price is too high for you.

 

Cons:

-The ornate and florid decoration typical of antique Victorian silver is very much out of style right now.  This means this Gorham ice cream set is less valuable than it would be otherwise at the moment.  Of course, it also means that you can pick it up for a good price.  And, if you are willing to wait long enough, Victorian silver is sure to come back into vogue eventually.

-There is no way around it; this Gorham dessert set is pricey.  If we allot $295 of the asking price to the serving piece, it means that the seller wants $100 for each spoon in the set.  This is easily 2 to 3 times more than other sterling silver Victorian teaspoons commonly sell for.  However, this particular dessert set is not only very rare, but also superlative in terms of its quality.  In the end, I have found that buying “best of the best” antiques is often a worthwhile investment strategy.

 

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Antique Scarcity in the Internet Age

Antique Scarcity in the Internet Age

The world of antiques can be divided into two time periods: the pre-internet age – anytime before about 1996 – and our current internet age. At first glance, it might not be apparent exactly why this event would dramatically impact the notoriously traditional antiques trade. After all, antiques are an entire industry built around buying, selling, collecting and investing in items from the past – oftentimes the distant past. Antiques couldn’t be more antithetical to high tech innovations like the internet.

But that didn’t stop the internet age from absolutely eviscerating large swaths of the antiques industry. How did it do this? Quite simply, the internet revealed that many, many types of collectibles that were previously believed to be scarce were actually rather common.

In the pre-internet age, if you wanted a specific kind of antique, you had to go on a physical expedition to find it. This meant jumping in your car or taking public transportation to a physical antique store, an antiques mall or maybe a flea market. But this was always a very limited method that relied heavily on random luck to discover the antique you wanted.

There are a finite number of physical antique dealers within any geographical area. In addition, even an ambitious shopper will find there is a hard limit on the number of antique stores that can reasonably be explored in a day – probably on the order of 4 to 6 locations.

Of course, an antique collector operating in the pre-internet age was also constrained by the inventory the dealers near him chose to carry. This might be influenced by industry trends and regional tastes. In short, in the pre-internet age there was a lot less antique inventory to choose from and luck-of-the-draw was either your best friend or your worst enemy.

The dawning of the internet age changed all of that. The rise of platforms like eBay and Ruby Lane suddenly made massive numbers of antiques available to collectors, connoisseurs and decorators. This was a major step forward for the antiques industry.

However, the advent of the internet age also had a dark side. It revealed that dozens of different categories of antiques and collectibles previously believed to be scarce were, in reality, common – sometimes very common! Vintage toys, glassware, memorabilia and china are just a few of the antique categories that were revealed to be far more prevalent than previously thought.

Some specific sub-categories, such as Roseville Pottery, carnival glass and Hummel figurines, had their market prices absolutely decimated by this revelation. This antiques message board with a thread titled “What has happened to the pottery market?” paints a sobering picture of the current marketplace for pottery, but the concepts are equally applicable to many other collectible categories. It is hard to get excited about a collectible when it is possible to surf over to eBay and bring up 10,000 similar results with just a simple search.

Not everything is doom and gloom in the world of antiques, though. The rise of the internet age has created a little-appreciated silver lining for antique aficionados. If you search the major online platforms – the eBays, Ruby Lanes and Etsys of the world – for an antique and can only come up with a few dozen examples, then that is a good indicator that the piece in question is fairly scarce.

This might seem like a self-evident observation, but I can assure you that the antiques market hasn’t quite caught up with the philosophical implications of this epiphany yet. You can think of the major online antique platforms as a giant international flea market. Absolutely every antique imaginable is represented on these websites.

They are effectively the aggregated antique inventory of the entire world. Yes, there are undoubtedly additional specimens hiding in attics and basements across the globe, but the antiques currently available online still number in the millions, if not tens of millions!

This means that the term “rare” before the late 1990s referred to a piece that might or might not have actually been rare, depending on local collector or dealer preferences and regional availability. In contrast, in our current internet age rare means that an antique is really, truly, exceptional rare. Seriously, if you have trouble finding more than a handful of examples of an item today with the considerable power of Google at your fingertips, it is highly unlikely the situation will dramatically change in the future.

This phenomenon isn’t strictly limited to antiques either. We live in an age of mass production, but if you’re willing to look for them, there are some beautifully handmade items out there that I refer to as “future antiques“. These are objects that were made recently, but have been made to the highest standards by skilled craftsmen using the best quality materials available.

These future antiques will assuredly age into incredibly fine and desirable antiques after a few decades have passed. In addition, they are often unique specimens – an element of supreme importance when you consider that we live in a world overrun by mass produced, made in China junk. For example, I recently featured an artisan carved contemporary nephrite jade pendant in the Spotlight section of my website. Another great future antique I highlighted was a contemporary drypoint print by the artist Mariko Kuzumi.

But the best part about the fact that the antiques community hasn’t figured out how rarity works in the internet age is the prices! You can currently snatch up really great items for unbelievably low prices – oftentimes just a few hundred dollars or even less. But one day the antiques market will figure out the way the new scarcity game works, so don’t wait to make your move!

 

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The Sad Demise of Physical Paper Assets

The Sad Demise of Physical Paper Assets
Photo Credit (CC 2.0 license): Wystan

The decline of physical paper assets has been one of the more troubling trends in the financial industry over the last couple of decades.  And that is saying a lot, because there have been a number of alarming trends in the financial markets over that time.  Now, when I talk about physical paper assets in this context, what I’m referring to are certificates indicating the ownership of financial assets – things like stock and bond certificates.  But before I continue, I think some historical background and definitions are in order.

Although often taken for granted in the modern age, physical wealth has been the bedrock of Western society for hundreds of years.  Farmland, houses, jewelry and bullion were just a few of the physical assets that traditionally underpinned middle class society from the Middle Ages to the 18th century.  However, as the 19th century progressed and financial markets evolved, new types of financial institutions were created, along with the physical paper assets to match.

Corporations, in particular, were a major step forward in the development of modern economies.  These large businesses raised substantial sums of money in order to channel huge amounts of labor and commodities into profitable ventures.  As corporations came to dominate the business landscape, there naturally developed a need to keep track of who owned what.

Thus, the most fundamental of physical paper assets was born: the stock certificate.  These certificates were often brightly colored and beautifully decorated with engravings in order to make them both visually pleasing and difficult to counterfeit.  Although the holder of a stock certificate did not automatically gain ownership of those shares (that prerogative rested with a company’s stock transfer agent), a stock certificate was still an important symbol and confirmation of equity participation in a company.

The stock certificate was inevitably joined by its financial twin, the bearer bond.  Bearer bonds were debt obligations issued by a government or corporation that made interest and principal payments to whoever had physical possession of the instrument.  Unlike stock certificates, bearer bonds functioned exactly like cash.  If you held a physical bearer bond, you were happy (and rich).  If it was stolen or lost, you were exceedingly unhappy (and poor).

Now that the historical primers are out of the way, it is time for the crux of this article.  For the last 150 years, American households have enjoyed access to four major types of physical paper assets based on the modern economy: stock certificates, bearer bonds, U.S. savings bonds and physical cash.  These physical paper assets were perfect complements to more traditional physical assets like real estate, jewelry, antiques and bullion.

Our access to these time honored physical paper assets, however, is rapidly coming to an end.  In fact, they are being systematically eliminated by the powers that be.

Bearer bonds were the first on the chopping block.  These securities had the advantages of being both readily negotiable and having high face values.  According to the government, this made them perfect for organized crime and tax evasion.  Of course, it also made them perfect for honest citizens who wanted financial discretion.  Predictably, the government didn’t like the idea of regular people being able to easily stuff a million dollars worth of bearer bonds into a suitcase.  That sort of thing should be reserved for members of Congress!

As a result, the U.S. government banned the issuance of new bearer bonds in 1982.  Existing bearer bonds were not redeemed, however, and remained outstanding until their original maturity dates passed.  By now though, in the year 2018, pretty much all U.S. corporate or government bearer bonds have matured.  These physical paper assets are effectively extinct today.

Physical stock certificates were the next to go.  Between 2006 and 2010, a series of obscure changes in back-office operations dealing with stock settlement and registration slowly discouraged the issuance of physical stock certificates.  This culminated in 2009, when the Depository Trust Company (DTC) – the centralized New York City clearinghouse for stock settlements – instituted a prohibitively expensive $500 fee for every new paper stock certificate issued.

Over the next few years, most brokerage firms, including Scottrade, Charles Schwab and eTrade, either passed on this exorbitant fee to their customers or ceased issuing physical stock certificates altogether.  In 2013, the pace of change quickened when the Depository Trust & Clearing Corporation (DTCC) – the parent company of the DTC – proposed the elimination of all physical stock certificates.  To make the proposed change sound less offensive to a reluctant public, the DTTC euphemistically refers to this draconian policy as “dematerialization”, claiming it will lower costs.

Although many investors have enjoyed the convenience of digital registration of stock ownership, it is not without drawbacks.  Any stock you have in a brokerage account is always held in “street name”.  Street name means that the legally recorded owner of the security is your broker, not you.  This means that in some situations your broker can legally pledge these securities as collateral to a third party.

Under normal circumstances, securities held in street name by your broker are not a problem.  But when the financial system is under duress and bankruptcies are commonplace, this practice transfers considerable risks to account holders.  Yes, your assets would theoretically be covered under the Securities Investor Protection Corporation (SIPC), but I wouldn’t want to be forced to rely on government promises in such a situation.

Even staid U.S. savings bonds have not avoided the digital carnage waged on physical paper assets.  These time-honored investments have been a fundamental building block of U.S. middle class wealth since the Great Depression.  Available in denominations as small as $25, U.S. savings bonds have provided generations of Americans with a safe place to park their extra money.

U.S. savings bonds were traditionally issued in physical form.  Much like physical stock certificates, U.S. savings bonds did not represent direct ownership.  Instead, the U.S. government registered ownership upon issuing a savings bond.  Physical savings bond certificates not only confirmed ownership, but also provided a tangible token of the act of saving that doesn’t exist with a regular bank account.

Or they used to, at least.  The U.S. government discontinued the issuance of physical savings bonds back in 2012, claiming it would save the American people a paltry $70 million over five years.  In my opinion, this act was the death knell of an already wounded U.S. savings bond program.

Even that final bastion of physical paper assets – paper money – is under widespread assault.  Former U.S. Treasury Secretary Larry Summers has publicly come out in favor of discontinuing the $100 bill.  The European Union recently followed his questionable advice by getting rid of their highest denomination bill, the €500 note, in 2016.

The argument in favor of removing high denomination bills from circulation is that they purportedly help fund organized crime and corruption.  However, such a move also has the (fully intended) side effect of moving all financial transactions firmly under the watchful eye of less than benevolent governments.  As credit cards, PayPal, wire transfers and other digital means of moving money become more ubiquitous, it is not so far-fetched to imagine a dystopian future where governments consider completely eliminating cash.

Maybe the demise of physical paper assets was inevitable.  Maybe a fancily embossed sheet of paper that unequivocally states you own an asset is an unnecessary anachronism in a computer driven, digitally-connected world.  But I have had too many experiences in my life where the unsympathetic voice on the other end of the phone flatly declares, “I’m sorry sir, but we have no record of that in our systems.”  Without physical certificates to prove ownership, such a situation could quickly escalate from an annoyance to a disaster.

The rise of digital wealth in modern society may be inescapable at this point, but that does not necessarily mean it is a wholly positive development.  I believe the slow, irreversible death of physical paper asset is both a warning and an opportunity for the average person.  It underscores the importance of those tangible assets that remain available to us – fine art, antiques, gemstones and bullion – while prompting us to ask ourselves how much of our personal financial information we want to expose to monopolistic corporations and power-hungry governments.

 

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Sterling Silver & 14K Gold Honeycomb Pendant by WingedLion Jewelers

Sterling Silver & 14K Gold Honeycomb Pendant by WingedLion Jewelers
Photo Credit: WingedLion

Sterling Silver & 14K Gold Honeycomb Pendant by WingedLion Jewelers

Buy It Now Price: $705

Pros:

-This beautiful honeycomb pendant with honeybee is handcrafted by WingedLion jewelers using sterling silver, 14 karat gold, cabochon-cut citrines and round-cut, white sapphire accent stones.

-It measures 47 mm (1.85 inches) tall (including the bail) by 28 mm (1.10 inches) wide.

-WingedLion Jewelers is run by the husband and wife team of Sergey Zhiboedov and Natalia Moroz. Natalia, an accomplished printmaker and illustrator, designs some of their jewelry while her husband Sergey both designs and hand casts pieces in their Charlotte, North Carolina workshop. WingedLion’s Tumblr page not only details selected products, but also shows behind-the-scenes glimpses of how they are created.

-This contemporary honeycomb pendant exhibits both incredible attention to detail and superb workmanship, two factors completely lacking from most mass-produced, chain-store jewelry.

-If $695 is too rich for your wallet, there are other, similar versions of this pendant available for less money. For example, a sterling silver honeycomb pendant (without the gold honeybee) set with amber instead of citrine is only $285. At that price, a WingedLion honeycomb pendant would hardly be more expensive than some pieces of higher-end costume jewelry.

-The design work on WingedLion jewelry is absolutely superb. The forms, materials and execution are all top notch. I’ll never understand why anyone would spend hundreds of dollars on generic, mass-produced jewelry when these handmade masterpieces are available for almost the same amount of money.

-The artists have also created ring versions of this honeycomb theme if you aren’t interested in pendants. The adventurous can purchase an extraordinary sterling silver, 14 karat gold and citrine honeycomb ring for just $470, while the high rollers out there can splurge on a magnificent sterling silver and 14 karat gold honeybee ring set with a stunning 1 carat yellow sapphire for $1,560.

-This WingedLion honeycomb pendant is a classic example of a future antique – a contemporary item of excellent quality that will undoubtedly season into an elegant and desirable antique over time. Because of this, I believe that the $695 price for this honeycomb pendant is easily justified.

 

Earrings By WingedLion Jewelers for Sale on Etsy

(These are affiliate links for which I may be compensated)

 

Cons:

-Although it is difficult to estimate with precision, the intrinsic value of this honeycomb pendant is undoubtedly well below its asking price. I estimate that the silver is worth less than $20, the gold no more than $100, the citrines perhaps $15 and the white sapphires just a few dollars. The total value of materials in this pendant max out at around $140. But this is a completely normal state of affairs when purchasing contemporary jewelry. After all, the artist has to buy all the materials, assemble them and still be able to make a profit!

-This piece of jewelry is not a one-of-a-kind, unique item. Instead, WingedLion creates this jewelry on demand for their customers. I don’t see this as very large drawback, though. Most jewelry is churned out in overseas factories by the tens (or hundreds) of thousands. In contrast, WingedLion has probably only handcrafted a few dozen (or at worst, a couple hundred) of these pendants.

-If you are approaching this purchase strictly from an investment standpoint, you will have to wait for this honeycomb pendant to age into a vintage piece (approximately 15 to 20 years) before its value will begin to rise on the secondary market. Of course, in the meantime you (or your significant other) will get to wear an absolutely gorgeous handmade pendant!

 

 

 

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