Hand-Carved Contemporary Walnut Sculpture with Brass Base

Hand-Carved Contemporary Walnut Sculpture with Brass Base
Photo Credit: PerfectFiveWoodworks

Hand-Carved Contemporary Walnut Sculpture with Brass Base

Asking Price: $100 (price as of 2018; item no longer available)

Pros:

-Here is an amazing hand-carved contemporary walnut sculpture set atop a hand-finished solid brass base. The use of top-quality materials in an artwork – like solid brass and walnut – is an artist’s statement of confidence in his own talent and vision.

-The wood used in this sculpture is Bastogne walnut, one of the more expensive varieties of walnut wood. Bastogne walnut is a hybrid between the Persian (or English) Walnut, which is native to Eastern Europe and Central Asia, and the Claro Walnut, which originates in California and Oregon.

-I love the contrasting mash-up of a perfectly-linear, geometric base with an organic, undulating top in this contemporary walnut sculpture.

-Bastogne walnut is also known as Paradox walnut because it grows much faster than either of its parent species, but yields timber that is harder, stronger and denser than both of them. This is a very odd trait for a hardwood, as faster growing trees usually produce softer, weaker, less-dense wood.

-The artist carefully chose to work with highly figured hardwood for this contemporary walnut sculpture. In addition to its breathtaking appearance, figured wood is rarer and more expensive than clean, but otherwise plain, lumber of the same species.

-The artist has chosen to create only 11 different examples of this hand-carved contemporary walnut sculpture, making it a limited edition work. This is important because limited edition artworks have a better chance of appreciating in value than those with unlimited runs.

-If poorly conceived or executed, contemporary sculpture has the potential to be undeniably, outlandishly ugly. Luckily, this contemporary walnut sculpture was perfectly visualized and flawlessly executed.

-A lot of people believe that art is only for the rich. However, this hand-carved contemporary walnut sculpture is not only exquisitely beautiful, but also remarkably affordable with a price tag of only $100.

 

Cons:

-Buying contemporary art for investment purposes is a high risk proposition. It is important to choose works that you love, because, depending on the vagaries of fashion and the art market, it may not be possible to sell them for a profit.

-This work is rather small, measuring only about 3.5 inches (8.9 cm) per side. If you are looking for an artwork that dominates a space with massive visual impact, this is not the piece for you. Instead, this desktop-sized contemporary walnut sculpture is intended for a more intimate setting.

 

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Better International Investing through Antiques

Better International Investing through Antiques

International investing is a theme that has been relentlessly pushed by financial professionals over the last 25 years. Many financial advisors have jumped on the bandwagon too, advising their clients to invest a portion of their investment portfolios overseas. And there are plenty of investments to choose from. Mutual fund giants, like Vanguard and Fidelity, have dozens of funds and ETFs dedicated to everything from emerging market small cap stocks to foreign sovereign bonds.

According to the experts, the main advantage of international investing is diversification. It gives you exposure to other countries that may be experiencing much faster economic growth than your home country. In addition to gaining outsized growth abroad, foreign investments may also be non-correlated to your domestic investments, thus reducing your portfolio’s overall volatility.

But there are substantial risks in international investing that most asset managers don’t like to talk about. Foremost among these is political risk. This is the possibility that a foreign government might change its laws in ways that disadvantage a business operating in that country. Revised laws can be relatively minor changes, like new certifications or filing requirements, or they may be major impairments, such as the imposition of heavy new taxes or strict environmental standards.

In its most extreme form, political risk manifests as nationalization or state-sponsored confiscation. This is actually a far more common occurrence in history than many people might first believe. Wikipedia lists literally dozens of major nationalizations that have occurred since the beginning of the 20th century, and this catalogue is by no means comprehensive. While some of these nationalizations only occurred after companies had already failed, many others were outright confiscations, with either no, or utterly inadequate, compensation paid to foreign shareholders.

For today’s international investors, uncompensated nationalization may seem like a distant and unrealistic threat. But it would not be wise to be too sanguine. Such sovereign confiscations were absolutely commonplace in the politically tumultuous 1930s and 1940s. However, after the end of World War II, a new global trade system was established with the United States at its core. This new system has become known as the Pax Americana and it has reduced the number and severity of international property disputes to negligible levels in the modern era.

Unfortunately for those wishing to diversify through international investing today, the Pax Americana is slowly dying. This means that the world will experience far more international turmoil, trade disputes and political maneuverings over the next few decades than most of us have experienced in our lives to date. In this sort of environment, the partial or complete confiscation of assets by foreign governments will undoubtedly become a fact of life.

The terminally optimistic may counter that investing in foreign debt does not carry the same risk of nationalization that foreign equities have. While this assertion is largely true, international investing via bonds has its own unique problem – currency exchange rate risk.

There are two different kinds of foreign bonds that an investor can buy. The first is local-currency denominated bonds. These are bonds issued in a country’s home currency. So, for example, the Indonesian government might issue bonds denominated in Indonesian rupiah, or Brazil might offer debt denominated in Brazilian real.

The second kind of foreign bond is called hard-currency debt. These are bonds issued by foreign governments or businesses in an internationally accepted currency, like the U.S. dollar, British pound or euro.

The value of local-currency denominated debt is highly dependent on the goodwill of the foreign government in question. A foreign central bank can, at its government’s direction, print large quantities of the local currency, thus radically reducing the foreign exchange value of your local-currency bond.

Hard-currency bonds aren’t perfect either. Foreign countries that run into financial problems can easily print their own currency, but can’t print hard currencies. Although this preserves the foreign exchange value of hard-currency debt, it doesn’t help the issuer get any more dollars, pounds or euros to pay its obligations. As a result, some foreign issuers of hard -currency debt, especially those from emerging market countries, have a tendency to default.

While traditional international investing may sound hopelessly risky, antiques are an often overlooked way to enjoy the benefits of foreign diversification without the twin political risks of nationalization and currency depreciation. If you purchase antiques from a foreign country, you will have physical possession of tangible assets that will fluctuate in value based, at least in part, on how well their country of origin performs economically.

The theory behind this unconventional approach to international investing is not idle speculation either. Anyone who purchased high quality Chinese antiques on the cheap in the 1980s and 1990s is now sitting on a veritable fortune. As China became progressively richer over the last couple of decades, newly wealthy Chinese entrepreneurs and businessmen have begun buying back fine Chinese antiques that were exported overseas a century or more ago.

Investor behavior in other foreign countries works much the same way. As a nation’s population becomes wealthier, they typically develop a keen interest in their own history and culture. Antiques from a country that is economically successful will naturally benefit from this trend. In fact, a very similar relationship between national GDP and collector’s coin prices has already been well established.

Antiques grant a tremendous amount of flexibility to the aspiring overseas investor. For instance, an international investor interested in diversifying into the dynamic Mexican economy could target Mexican sterling silverware. Silver has been mined commercially in Mexico for 500 years. As a result, Mexican silversmiths have had ample time to perfect their art. Ravishingly gorgeous Mexican sterling silver is both functional and beautiful simultaneously.

Those excited by the rising economic presence of the Indian subcontinent might be interested in antiques from the Mughal Empire. The Mughals ruled India for 200 years, from the mid 16th century until their kingdom disintegrated in the 18th century. I especially like silver Mughal rupee coins as Indian-oriented investments due to their rich history, elaborate calligraphy and reasonable prices.

Of course, more developed economies like Great Britain, Germany and France are also well represented in the field of overseas antiques. Vintage European items are a mainstay of the global antiques market because of their superlative quality and enduring beauty. Good quality European antique jewelry, silver, art medals and objets d’art are all highly desirable pieces that could add safe international diversification to a traditional asset portfolio.

I believe that international investing is a sound strategy. But I also think it is wise to mitigate investment risks whenever possible. Antiques allow the savvy investor to reap the substantial benefits of international asset exposure without the worry of foreign political risks like nationalization or rapid currency depreciation.

 

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China and the End of Nice Things

China and the End of Nice Things

Last week my dishwasher broke. A 10 cent piece of plastic that held one of the baskets in place did what all plastic eventually does – it shattered. Disbelief quickly turned to anger when I remembered that I bought the appliance only 3 and 1/2 years ago. All I could think about was that if the manufacturer had spent a few extra cents on that inadequate plastic bit, my dishwasher would still be completely functional.

Unfortunately, the present-day trend toward poorly made consumer goods doesn’t look like it is about to end anytime soon. And there is one nation at the epicenter of this problem – China. China is by far the world’s largest producer of cheap and nasty consumer goods. The Western World, particularly the United States, imports container ship after container ship of their substandard products onto our shores every year. China is the reason we don’t have nice things anymore.

I realize that this assertion is a bit of an oversimplification. After all, giant multi-national corporations have moved their manufacturing capacity to China because it is generally the cheapest place to produce goods. If China didn’t exist, our corporate overlords would have relocated to some other sweatshop country, like Vietnam or Bangladesh.

And yet, the idea that Chinese manufacturing and nice things are mutually exclusive isn’t so farfetched. Since 2013, China has been the world’s largest producer of manufactured goods, with over 23% of global output. In spite of its manufacturing prowess, however, China is nowhere to be found when it comes to finely crafted luxury goods and other high quality items.

This is a shocking revelation when one considers that China became the world’s largest market for luxury goods in 2012. But wealthy Chinese generally don’t purchase Chinese-made luxury goods. Instead, they buy foreign branded and manufactured nice things.

Foreign brands, like Burberry, Cartier, Piaget, Louis Vuitton, Bulgari and Coach, are snapped up by Chinese citizens because they are considered to be the best quality luxury goods available. And these international luxury brands are inevitably not made in China. Rather, they are generally produced in traditional luxury goods production centers, like Italy, Switzerland, France, Germany, the U.K. and the U.S.

It isn’t a coincidence most global luxury brands have opted to keep their manufacturing capacity in developed countries intact. The Western World has a strong and unbroken tradition of fine craftsmanship stretching back hundreds of years. If you want the best of the best, the very nicest of nice things, then you want something from a small Italian or Swiss workshop where techniques have been passed down uninterrupted from generation to generation. What you don’t want is a cobbled-together, not-quite-luxury-item assembled by an overworked Chinese peasant slaving away in a Shanghai sweatshop.

Now there are a handful of exceptions to this rule. There are a few Chinese jewelry companies, like Chow Tai Fook and Chow Sang Sang, that produce very high quality goods. However, it should be noted that most of these Chinese luxury goods companies were founded in Hong Kong. This is notable because Hong Kong was a British colony for more than 150 years, from 1841 until 1997. As a result, the native population of Hong Kong absorbed certain British cultural traditions, including a healthy respect for high quality craftsmanship and a general appreciation of the effort and pride necessary to create truly nice things.

Chinese jade carving is another luxury tradition that 40 years of oppressive communist rule on the mainland managed to decimate. Even today, most jade carving in China takes place in the city of Shenzen, which is located immediately adjacent to that most culturally distinct of Chinese cities, Hong Kong. While some jade carvings that come out of China today are truly superb, far too many are derivative and uninspired. This is in stark contrast to the amazingly skilled and inventive jade carvings that are becoming the norm among Western artists.

The fact is that most goods, particularly mass-produced goods, from China are junk. A handful of wonderful Chinese luxury goods float in an endless sea of cheap Chinese garbage. But these sparse Chinese luxury goods are all too often exceptions to the rule.

Most of the time the Chinese response to Western luxury brands is to create knock-off, unlicensed imitations. China has become a global byword for poor quality control and shoddy goods. No wonder the Chinese buy foreign luxury goods!

It is not that the Chinese people are genetically incapable of making nice things. To the contrary, Chinese civilization perfected some of the world’s most enduring art forms many centuries ago. These masterpieces have ranged from ancient Shang dynasty ceremonial bronzes to superlative Qing dynasty jade carvings to instantly-recognizable Ming dynasty blue and white porcelain.

The problem is that modern Chinese culture does not value attention to detail, artistic excellence or customer satisfaction. Instead, the prevailing Chinese business culture views customers as a resource to be exploited. Any sales technique, regardless of how unethical, is deemed acceptable by Chinese suppliers bent on separating naïve Westerners from their money. Slipshod mass-production of aesthetically boring, derivative works is the order of the day in China.

As terrible as it sounds, the relocation of global manufacturing to the Middle Kingdom has led to the end of nice things for most Western consumers. I believe that this makes high-quality, well-constructed antiques even more desirable. Savvy investors should take note.

 

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4.98 Gram Natural Australian Gold Nugget

4.98 Gram Natural Australian Gold Nugget
Photo Credit: wow-nuggets

4.98 Gram Natural Australian Gold Nugget

Buy It Now Price: $348.68 (price as of 2018; item no longer available)

Pros:

-This 4.98 gram (0.1601 troy ounce) natural Australian gold nugget measures approximately 17mm (0.67 inches) in length. The relatively small size of this nugget is the result of gold’s incredibly high density (19.3 grams per cubic cm).

-Natural gold nuggets have become extremely rare as humanity has gradually mined out all the high grade gold deposits on earth. As an example, a rich open-pit gold mine operating today might only yield 3 grams of pure gold for every metric ton of ore mined. This gold will be so finely dispersed throughout the excavated rock that it will not be visible to the naked eye. When viewed from this standpoint, gold nuggets are an absolute miracle of nature.

-Australian gold nuggets have the highest purity, on average, of any gold nuggets found on the planet. This particular specimen is in the 23 karat range, with an estimated purity of between 92% and 98%.

-This natural Australian gold nugget is particularly beautiful, with a richly saturated gold color and an alluringly craggy surface. The value of a gold nugget is significantly impacted by its shape, color and overall aesthetic appeal. An awkwardly or poorly shaped nugget will be much less desirable than an unusually or interestingly shaped example. Luckily, this is a gorgeous looking gold nugget.

-If we assume a purity of 95%, this natural Australian gold nugget has a bullion value of approximately $203 with the price of gold trading at $1,335 a troy ounce. This translates into a premium over bullion value of 71.7%, which is acceptable given the nugget’s high purity and attractive look.

-A gold nugget’s surface appearance can be a clue to its country of origin. Compact, smooth nuggets are generally the result of centuries of hydraulic action in streams, while rough, highly textured nuggets usually originate from drier climates. The delightfully cavernous, slightly coarse look of this nugget is in line with its Australian provenance (Australia is a notoriously dry continent).

-This natural Australian gold nugget ships straight from the goldfields of Australia! The seller is a gold prospector and either finds his own inventory or purchases it from his fellow Australian gold miners and prospectors. So you know you are getting this beauty right from the source.

 

Cons:

-There are larger natural gold nuggets available. But although a larger specimen would be more desirable, it would also cost substantially more.

-You might be able to pick up a natural Australian gold nugget for a lower premium over melt value. However, I think this particular Australian gold nugget is a magnificent specimen with a unique and interesting look. Because of this, I think it merits the $349 asking price.

 

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